Archives for March 20, 2012

Medieval Stars and Crosses

Medieval  Stars and Crosses

Medieval Stars and Crosses

Octagon The Stars of the Desert

octagone Stars of desert

octagon the star of desert

 

Green Flower of the Cross

Green Flower Of the Cross

Green Flower Of the Cross

Geometrics Arabic Stars

Arabic Stars Dancing

Arabic Stars Dancing

Bodybuilder in Pursuit of Perfection the Red Night

Bodybuilder in Pursuit of Perfection the Red Night

Bodybuilder in Pursuit of Perfection the Red Night

Bodybuilder in Pursuit of Perfection – The Blue Night

Bodybuilder in Pursuit of Perfection - The Blue Night

Bodybuilder in Pursuit of Perfection - The Blue Night

 

Bodybuilder in Pursuit of Perfection – The White North

Bodybuilder in Pursuit of Perfection – The White North

Painter Predicament: How to Store Acrylic Paints


Finding it difficult to find an inexpensive but effective way to keep your acrylics moist for your next painting session? Here are three ideas for containers to keep your paints fresh and ready for your next visit!
1. Egg cartons: As inexpensive as it gets! Not only does it hold paint, it’s great for mixing. To keep your paints moist, lay a wet paper towel over them before closing the lid.

2. Film cartridge containers: These small, plastic containers keep moisture well and can be securely closed. What’s more, you can stay organized: dab a bit of the colour on the lid so you know what’s in there. Your local photo shop might even save you these containers if you inquire – or at least have some on hand to give over for free when you stop by!

3. Baby food containers: Have a larger amount of paint that an egg carton or film container will hold? Try baby food containers for larger amounts – same great sealing as the film cartridges, but with just that much more space! Ask around friends and family: you’ll soon have more containers than you know what to do with!

Want to add to our list? If you have tips on how to store paint, let us know!

Tips on Watercolours Paintings

A Word on Water Colours

Compared to other art forms, watercolours require little set up and almost no instruction on how to begin using them:  add water to the paint, and you’re off!  With such a simple procedure, watercolours are an excellent foray into painting for the beginner, or another technical method for the seasoned artist to easily add to their repertoire.

Time and practice are still necessary parts of the equation to acquire proficiency, just as with any other art style or form.  However, keep the following tips in mind so that you can approach water colour painting with confidence, and start creating!

Looks Can be Deceiving

When wet, watercolours are dark and vivid; however, when they dry, they dry much, much lighter and paler.  This may mean it takes you a while to achieve just exactly the right hue that you want – knowing exactly the amount of water to add is a skill acquired only with practice! If you find your paintings are too pale, add more water to your paint, or add another layer of colour.

Quick as a Wink

Water colours dry very quickly. To avoid frustration, test small samples of colour on scrap paper to see if the dry outcome will achieve the desired hue before you use the paints in your piece.

Dry isn’t Definite

Even when watercolours dry, they are still soluble: applying water to the dry paint will turn it back into wet paint to once again work with. This means mistakes are much easier to fix and changes much easier to make! You can easily remove some paint to achieve a lighter colour, mix it with a new paint for a whole new colour and tone, or even lift the paint entirely off the paper.  If you do end up re-wetting dry paint, do be careful to treat the paper gently: scrubbing at the paper too much will damage the surface.

Transparency

Water colours aren’t just pale: they’re transparent. Layers of paint can be seen through upon drying, making mistakes visible. However, don’t be discouraged, embrace it! It is all part of the painting process.

Light à Dark

Any white in watercolour paintings comes not from the paint, but from the white of the paper. This means the usual advice is to paint from light to dark – start with the lightest tones and work towards the darkest. But painting is all about experimentation:  you never know what you might create when you put down dark colours earlier than the prescribed method. Shake things up!